Jazz

The history of jazz and gender related to Australia again extends 19th century. During the era of the American 1850s gold rushes, British and locally made up of the minstrel of the "blackface" (the white agente-músicos in blackface) companies began to travel Australia, travel not only the capital cities, but also many regional cities that grew as Ballarat and Bendigo. The Orchestra of the Minstrel music offered jazz - including the adornment and the improvisatory polyrhythm in play (pre-classic) features banjo and lists breakages of percussion. Some genuine Africano-Americanas companies the singing of the minstrel and Jubilee traveled in the 1870s. More jazz - and how to hit Australia trova in the last 1890s the form improvisatory and syncopated song of the coon and apelmazar - walk music, two early forms of ragtime. The next two decades brought to set, piano and vocal ragtime of ragtime and driving (on all white), American artists including Ben Harney, "Emperor gene Ragtime Greene" and pianist right Charlie. Some of these visitors were taught to Australians how a "cloth" (improvise unsyncopated pop music of the ragtime-estilo).

In the mid-1920s, phonograph machines, increased contact with American popular music and dance that visiting white American musicians had firmly established jazz (dance of the meaning and modern music descendidas jazz stage) in Australia. The first recordings of jazz in Australia are registered in Sydney Mastertouch piano rolls to leave around 1922 but jazz began to be registered on disk before 1925, first in Melbourne and soon thereafter in Sydney.

The 1970s brought jazz and innovation and diversification of continuation in which, by the end of the 1980s included the world music and classical crosses and contemporary jazz fusion jazz education tertiary courses. From this time, the trend towards mergers eclectic style has continued sets as Catholics, Australian art Orchestra, tongue and Groove, the AustraLYSIS, the Wanderlust, bottlenecks, and many others. It is questionable if the jazz label is quite elastic continue hugging the most extensive range of improvisatory associated with the term Australian jazz musics. However, modern current jazz and the dixieland still have stronger follows and still pattern meeting to hear the famous current artists who have been around for decades, such as Dugald Shaw and Blair Jordan player reeds night stand Ponga burrow and trumpeter James Morrison, and sometimes, the famous pioneer of traditional jazz in Australia, Graeme Bell players.